Cyberpunk 2077
Dialogue: A Like Supreme
10 scenes with every line and reply option. Tags like 1A show which reply a line follows. Warning: contains the whole story of the job.
← Back to the job Second ConflictHoldin' On
Page 1 / 3
Scene 1 Johnny, V
This oughta work.
1AWell? So why're we here, exactly?
Johnny1AHeard Kerry got himself a buck-a-mansion here. Done well.
V1AWhere'd you hear anything about Kerry?
Johnny1AIn and about town. Screamsheets're full of shit about 'im... Oh, right, you weren't around.
V1AMhm, your boys' night out. So what, wanna pay him a visit?
Johnny1AYep. Seems as good a time as any.
2BAlways did have some beef with him, didn't you?
Johnny2BOnly posed as a rebel to fit in, actually desperate not to step on any toes.
2BArasaka's especially.
3BYou get along any better with the rest of the band?
Johnny3BOthers didn't give a rat's dick about me.
3BNancy just enjoyed controlling us – treated us all like sex-scavenging halfwits.
3BWhich was kinda true for Henry, actually.
3BTried to get with Denny – thing was, those two rarely shared the same state of consciousness at once.
V2BAlways did have some beef with him, didn't you?
Johnny2BMe? Nah, he's the one who couldn't decide whether to fuck me or boot me outta the band.
4AWhich were you hopin' for?
4BClash of the titan visionaries?
4COK. Don't wanna know any more.
Johnny2BProblem with Ker was he had a dick – meanin' I wasn't interested – but he was missin' the balls.
2BOnly posed as a rebel to fit in, actually desperate not to step on any toes.
2BArasaka's especially.
V1ASo I gotta hit Kerry's digs, look around, critique the drapes?
Johnny1AKnow what they're writin' about him? He's depressed, attempted suicide.
V1AWhat, really worried he wants to hurt himself?
Johnny1AWho knows. Either way, could give him some pointers.
V1AMeanin' you wanna go "in person?" Gotta hand you the reins again?
Johnny1AYes. Behaved myself last time, didn't I? I think I warrant another furlough for good behavior.
5AOK. But I wanna know what you plan to do.
Johnny5ANothin' stupid, I promise. Just wanna see how he's doin'.
V5AHow you plan to tell him it's you?
5ACould be dealin' with some real personal shit right now, might not be the best time to mess with his head.
Johnny5AV, Ker was always dealing with personal shit. That's why, in spite of everything else, we got along.
5ADon't worry. I'll play it by ear, sensitively. First things first – we gotta get into that house.
V5AOK. Just lemme know when you wanna take the wheel.
5BThousand times nope, don't trust you.
5BHonestly, kinda surprised you'd even ask.
Johnny5BHad to try – but I guess I'm not surprised. Dick.
5BOK. If you change your mind, lemme know.
5CNo way, nuh-uh. Rogue was special, made an exception.
Johnny5CTrue, Rogue was wholly different. Thought you understood that.
V5DMhm. First Rogue, now Kerry. Who's next on the list of conjugal visits?
Johnny5DNobody. Just so happens the list of people I consider friends, and who're still alive, is pretty damn short.
5DExactly why I need to talk to Kerry.
V5EWhat was that about attempted suicide?
Johnny5EAmateur hour. Didn't even cobble together the right audience.
5ETried to put a bullet through his skull in his room. Bodyguard took his gun like candy from a baby.
V5ECould just be the rumor mill.
Johnny5ESure, could. But I wanna know.
Scene 2 Johnny, Kerry, Stephen, V
The hell's this freak tech?
VHuscle bots. Been here before.
JohnnyKerry couldn't just hire some Animals?
KerryOoh fuck, remember? The one damn time Henry showed up sober and clean as a whistle.
VUh-huh. An' played absolute tripe.
KerryLeast Denny was happy.
1AStill in touch with the gang?
Kerry1AJust Nance. Changed her name to Bes Isis, works for N54 News.
1ACould track down Denny and Henry if you want.
1AMaybe get together? You know, jam or somethin'.
2AYou wanna bring Samurai back?
Kerry2ADunno. Could do one gig. Play some dive where nobody'd place us.
2AI mean, got my reputation to think about.
3AAll right. Let's do it.
Kerry3AFuck, yeah!
3AOK, send ya Nancy's number in a sec. I'll go after Henry and Denny.
V3AMhm. I'm not there, figure it out with V.
Kerry3ASure, uh... you two get along?
V3ASure. Kid loves me.
Kerry3AYeah, I bet.
4AHow'm I--
Kerry4AJohnny? You OK?
V4ANo.
Kerry4AAh, so you must be V.
4AJohnny mentioned something like this might happen.
5AYou two have fun at least?
Kerry5AHeheh – that a hint of disapproval I hear?
V5BI'll be fine.
Kerry5BHeheh – that a hint of disapproval I hear?
4AJust sit tight for a bit, rest.
4ADon't worry about a thing.
V4AThe hell is this concert thing?
Johnny4AD'you hear that?
V4AGets sharper as the pills wear off. So?
Johnny4AWanna see Samurai live? Prolly won't get another chance.
6AOK. Callin' Nancy.
7AFeel like shit, too?
Kerry7ANah, need a power nap. Wanna join me?
Johnny7ALet's go, V. He's joking.
V6ANancy? I mean – Bes? Bes Isis?
Stephen6ANo. This her underpaid, underappreciated assistant. Steven, N54 News, how can I help?
V6AWanna talk to Bes.
Stephen6AShe's not here.
8ACallin' from Kerry Eurodyne's residence.
Stephen8ACool. But Bes still isn't here.
V8BKnow when she'll be back?
Stephen6AShe was s'posed to be back two days ago.
6AWent to the Totentanz to shoot some stuff, story on Maelstrom.
6ACall back next week, or just watch the news.
6AAnything happens to her, I'll be the first to cover it.
Johnny6AGot a bad feeling, V.
6AThink we better head to the Totentanz.
V6BWhat if this ends up like the Rogue thing – one big let-down?
Johnny6BNah, this is different. Kerry needs this concert.
V6BSo far, comebacks don't seem to be workin' out for you.
3ANot lately, no.
3AWe don't have much of a choice, though.
3BBut I won't have to explain what happened, all this?
Kerry3BNah, we'll spare 'em. Hella boring story.
3BBiochips, Arasaka's evil schemes, magic pills…
3BWe'll just say you're my new output.
V2BBes Isis. Damn, Nance really went for it.
2BThough all I hear is part-time stripper with a thing for Ancient Egypt.
Kerry2BShame you died. Sure she woulda welcomed your input.
V2BHow is she in general, besides having nothing to do with music?
Kerry2BCould ask her yourself.
V2CHenry probably killed his own liver.
Kerry2CNah. Woulda heard if he was gone. Got mutual friends.
2CFew calls and I should be able to track him down.
V2DDenny might still be in the biz. Actually had talent – and a spine.
Kerry2DYeah, released somethin' not too long ago. Moved to North Oak, too.
V2DYou just said you weren't in touch.
Kerry2DDidn't hear it from her. Think she might be avoiding me.
V2DYou ever leave this house?
Kerry2DNope.
9AWho's that?
Kerry9ALouise. The ex-wife.
V9AThe what? Hah, you're kidding. How long'd it last?
Kerry9AEehh, too long. But don't worry, it worked out well... for her.
9AGave 'er my house in Tokyo, cars, kids… yeah.
V9AWorked out pretty well for you, too, then.
1BStuff about you bein' depressed – it true?
Kerry1BNope. Promo stratagem.
V1BSuicide attempts, too? Think putting a bullet through your skull'll help your sales?
Kerry1BDidn't work for you. Nobody remembers Samurai.
1BNow you're just butthurt 'cause I managed fine without ya.
V1BFuck me. Got no answer to that.
10ALookin' at 'em now, those really were the best of times.
Kerry10APlayed fucking rat-infested dumps, argued before every gig…
10AHad no idea what we wanted to play. And never had an ed to our name.
10ANancy – control freak. Henry smelled like zappers 'n' piss. I was always stealin' your pants.
V10AHella good times, man.
10BNever did get what Denny saw in that guy.
10BI mean, smart imp, that one. Maybe too smart for the company she kept.
Kerry10BNah, Denny always went for losers incapable of dressing themselves.
10BHank was perfect. Half a brain and high all the time – she got to rescue him over and over again.
V10BWhy'd she never try and fix me?
Kerry10BWoulda had to get in line, that's why.
Kerry Eurodyne residence – please wait while I connect--
What?
Huhh?... Can't hear you.
VCome back later, maybe?
JohnnyNah, c'mon, we're lucky the dog's even home.
VYou'll never guess who.
JohnnyFugly as seafood barf.
Hope it was expensive at least.
Somethin's gotta justify this level of tacky.
Fuck, cookie cutter crap straight from a catalogue.
Doubt Kerry picked this.
Always ate out, always.
Ah, beautiful butterfly Kerry emerging from his silky Samurai chrysalis.
All right, I'll give him that one.
Bet he sits here and thinks – the fuck I need all this shit for?
Prolly the only actual necessity in this whole pad.
11AWell, now I am impressed.
11APlayed a few of these myself back in our Samurai days.
12AAxe like that run us many eddies?
Johnny12AForget it, we couldn't afford it.
12AThat's Kerry's fave.
V11AWicked bad collection.
13ALooks like he's showering?
Johnny13AAlone, too. Good thing, believe me.
13AOK, leave the rest to me. I'll get him outta there.
13ADrop one of Misty's special pills, let's go.
14AOK.
14AUgh, feels so much better.
14ANow, let's see which're up for show and which're actually strummable.
15AC-can you feel it…
15BWe lost everything...
15CThe desire to destroy...
Kerry14AWho the fuck...?
14AKeep playin'.
16AAll right.
16BPlayed enough. You know who I am.
Kerry14AWell?
14APlay.
14AForgot what comes next?
14AJohnny?
V14AKerry?
Kerry14ANo, no, no, this's some fuckin' joke. Hang on…
14AWhat'd Silverhand tell me before he died?
17AI told ya to stop bein' a pussy.
17ADid you? Huh?
Kerry17AJohnny fuckin' Silverhand...
17AThe fuck? I mean – how?
V17ASurprise.
Kerry17AMotherfucker.
17AAll right. C'mon, tell me – why do you look like a small-time kleptopunk from the Afterlife?
18AThis is V. You'd like 'er.
Kerry18AThe fuck, Johnny. Doesn't explain a thing.
V18BLong as you tell me whatcha got in your throat.
Kerry18BAlways did complain I couldn't carry a tune.
V17ANice place.
Kerry17AAin't seen much of it yet.
17AMoved in after the fourth album came out.
V17AAll sold well, apparently.
Kerry17AFuck you, Johnny. Don't even start.
V17AWho'd you sign with?
Kerry17AShit, with Arasaka.
17AMornings I record at their studio, then evenings Yori pops over for a little neighborly cookout.
V17AMh, and who'd you really sign with?
Kerry17AMSM Records.
V17AAnother pillar of society.
Kerry17AC'mon. Siddown with me, tell me where you've been all this time.
19ASteel yourself for a long story.
Kerry19AI just really want it to be tragic, sad as all fuck over all those years.
19A'Cause if I hear you spent them with the nomads, open road, wind in your hair…
19AOr cool and relaxed in orbit… And now you've just popped by to shit all over my life, well, I'ma lose my damn mind.
20AOh, it is a heartbreaker.
20BListen, judge for yourself.
Kerry19AWhat'll you have?
19ASit, please.
19ASit the fuck down already.
21ALive here all by your lonesome?
Kerry21ANah. Got my cook, Ariel – but he's off today, Miguel--
21AWhat'm I--? Not your biz, choom. Siddown, start talkin'.
V17AOK, weren't expecting me, I get it.
Kerry17AAu fucking contraire. Been waiting fifty years to do that.
17ASee you changed a bit. Nice rack. Sporting a new style?
22ANot lookin' all bad yourself, either.
22BYeah, kinda. What about you?
Kerry17AShit – Johnny.
17AOh man, need a drink.
V17BTold you to leave Samurai, go your own way.
17BClearly, I was right. As I often am.
17CThis a test?
17CCould just play you another song.
Kerry17CAnswer me.
V14BNo. Not yet.
Johnny14BWanna wander around by yourself?
14BLike a fangirl or somethin'?
V14BGimme a minute is all I ask.
14BEvery damn time we change things up, feels like a leap off 'Saka Tower to me.
Johnny14BHm, and need a running start?
V14BNot yet. Gimme a sec.
Johnny14BWhat, don't trust me after all?
14BYou ever gonna make up your damn mind?
23A"Never Fade Away..."
Johnny23AGuess if I had a fave, it'd be that one.
24AWhat's this?
Johnny24AOld single we put out. No idea why Kerry hoards shit like that.
25AOK, even I know that one.
Johnny25AAn oldie but a goodie.
26AWhat's this?
Johnny26A"Second Conflict."
26AKerry'd always go straight for kitsch with titles.
26AGuess nothing's changed.
Whoa! It's, like, symbolic.
KerryHang on. You look like shit.
JohnnyWhoa! It's, like, symbolic.
KerryUuh, Johnny?
Hellooo, fuckin' Earth to fuckin' Johnny Silverhand.
Johnny, you still around?
Well?
Answer me.
Scene 3 Bouncer, ElevatorMaelstrom, Johnny, V
Like your style.
Minimalist.
Used to have chrome just like that.
ElevatorMaelstromTotentanz, too? Fuck, yeah.
Third floor. Press the button, my fingers're numb.
Later.
Hear that? Tinnitus today. Our guys.
This one I like.
JohnnyC'mon, up you go.
Go on. You'll blend in, no problem.
1ADen Den?
Fuck. All starting to come together.
No media would ever go for the Totentanz.
Except Nancy.
VWhat was Nancy like, back in the day?
JohnnyUsed to think she was the only one who had her shit together.
Turned out she was just hiding it well.
Lived with some sick son-of-a-bitch who beat her for two years.
Never said a word, then threw the guy out their living room window one day. Eightieth floor or somethin'.
VNot much left to clean up, probably.
JohnnyHeh, nope. Did seven months. Once she got out, wasn't much left of her life to salvage, either.
Scene 4 Dum Dum, Johnny, Nancy, Royce, V, Sq011 Maelstrom Machete, Sq011 Maelstrom Rifle, Sq011 Maelstrom Shotgun
No, no, no, not another Totentanz.
Scale model. Copied everything.
Sq011 Maelstrom ShotgunWhadda they serve there, meanin' drinks?
Sq011 Maelstrom RifleNothin'. It's just decoration. Advertisin'.
New tourist trap for the city.
Sq011 Maelstrom ShotgunFuck, I dunno, choom. You seen the Totentanz, you seen everything.
Dum DumYou? Again?
Alone this time, huh? No punk-ass "amigo" today?
VOne more word about him and I stamp you out like a roach, got it?
Dum DumGot it.
1ALookin' for Bes Isis, N54 News. Know she's here.
Dum Dum1AShe is. But she's busy. Talkin' to Royce.
1AHe told me not to bother 'em.
V1AOh, I'll do the bothering. Lead the way.
Dum Dum1AC'mon, then.
V1ARoyce remember me fondly?
Dum Dum1ADunno, hasn't mentioned you.
V1ARoyce and Bes gettin' on all right?
Dum Dum1AWell... she ain't too bright.
1ARoyce is bein' real fuckin' patient with her.
V1AHow'd she get him to agree to talk?
Dum Dum1ADon't think anyone ever asked him about music, not serious, like.
1AAnd Royce likes bein' taken serious, heh.
Royce1AWho's she? Another media?
Dum Dum1AThis's V. All Foods, 'member?
Royce1AMaybe. All the fuckin' meat faces look the same to me.
Nancy1ACan this wait? I still have a couple of questions.
Johnny1AThat's Nancy, all right.
1AChanged things up a bit.
Royce1AYou think you got all you need?
1AYou wanted half an hour of my time, we're on day three.
2ADidn't have you pegged for a music geek.
Royce2ABut you know everything else 'bout me, right?
Nancy2AHey!
V2BWent for a cruise on the "Ebunike" the other day. Your turf, right?
Royce2BYeah. My people gave you a tour of the docks?
V2BSeemed a little busy. Might wanna think about a better system than an old Athena III.
Royce2BHuh, already pissin' me off.
2BWhat's worse, she might be right.
3AMaybe one more question from Bes?
Nancy3AWhy does Tinnitus only play the Totentanz?
Royce3AHeh. Only place they get the right audience.
Nancy3AA snob's the last thing I'd ever expect you to be.
Royce3ACochlear implants. That's what Tinnitus plays on.
Nancy3ASo each of you is an instrument. Does that mean an element of mysticism--
Royce3AS'posed to be one question.
V3BGot some biz with Bes.
Nancy3BI don't know her.
V3BKerry Eurodyne sent me.
Nancy3BAh, Eurodyne, 'course. Where would you put him on the musical map…?
Royce3BY'know what happens when you filter all the pulp and shit out of juice?
3BGets clean, smooth, soft. Flies off the shelves in corpo supermarkets.
3BAnd what's it look like? Piss, that's what.
3BThat's about where I'd put rockerboy music.
3BNow, get the fuck out. Both of you. Wasted enough time.
Dum Dum3BC'mon, we'll scan you on the way out.
Nancy3BGive us a minute?
3BI don't know what Kerry wants, but it's not gonna happen if I don't get outta here in one piece.
4ADoesn't seem to me like you're in any danger. Gang seems... friendly enough towards you.
Nancy4A'Cause they haven't seen all I got.
4AAnd they'll check all the files on our way out.
4AIf they find anything they don't like – which they will – they'll wipe everything. Me included.
V4BWhadda they mean by scan?
Nancy4BWe had a deal. I could move around, tape what I want while I'm here, but they'll check my files.
V4CShouldn'ta messed with Maelstrom.
4CDunno how you got 'em to let you in, but they're gonna scan every damn file before you take one step out.
4CAnd assuming they won't like what they see--
Nancy4CYou gonna lecture me or help me get outta here?
Johnny3BAll right. You gotta get her outta this.
5ALemme copy the data and get it out.
Nancy5AThey'll want to scan you, too. Not as dumb as they look.
V5ANot about to do anything to draw any notice.
Nancy5AOK, here.
V5AGot it. Delete yours, then try and distract 'em. I'll sneak out.
Nancy5AOK. Try the window, guys' bathroom.
V5AHuh, classic.
Nancy5AThen circle around the back, there's a sort of... balcony there. I'll meet you by the elevator.
5AOn my way out. Go ahead, scan my stuff.
Dum Dum5AAll right, siddown. Someone'll come by.
Nancy5AYa gotta be kidding me. I thought that was your job.
Johnny5AWould ya look at that – she planned it all out.
V5AHad time, knows the place.
Johnny5AHad practice, too. Most of our gigs, she left via the window, had to.
Dum Dum5AWell, I could, but Algoth...
Nancy5AAlgoth?! Seriously?
5ANo way. Not about to let him poke through my files.
Dum Dum5ABut Royce said he made Algoth your "guide"…
Nancy5AHow's he supposed to know which files are OK and which aren't?
5AHe'll trash 'em all willy-nilly just so as not displease his daddy!
Dum Dum5AFuck's sake, chill. So if it ain't Algoth and it ain't gonna be me, then who?
Nancy5AUh, Seppo?
Dum Dum5AWhy him? Never talked to him.
Nancy5AUh, kind eyes, good guy.
5AThe elevator! Quick!
5AAh, you're here.
Johnny5AWonder how that other thing's going – Kerry, Henry and Denny.
V5AYou still in touch with anyone 'sides Kerry?
Nancy5AAny-- who?
Johnny5AHeh, now she's an actress, too.
Nancy5AC'mon. Car's just outside the entrance.
V5AWas asking about Samurai.
Nancy5AHow old are you, kid? That's ancient history.
5ANobody gives a shit about Samurai these days.
5ABelieve me, I'd know.
5AOnce in a while news slows to a trickle, so I try to push through some nonsense about Silverhand.
5A"Where's Johnny? What actually happened in Arasaka Tower?"
5AGot my car downstairs.
5AGot everything?
V5AYep, send you the files in a sec.
Nancy5AGot my car downstairs.
5AFuck, why's this elevator so damn slow?
Johnny5AGrimy.
5AView's to die for.
5AAll right, let's find that elevator.
5ASmooth as 'ganic silk.
5AHey, where ya goin'? Gotta scan ya first.
V5BWe're leaving. Not goin' quietly, either.
5BTry not to catch any lead on the way out.
Nancy5BThat's it?
V5BWant that data out or not?
Dum Dum5BOh, fuck no!
V5CBut you came here to do a music fluff piece.
Nancy5CI did. But then I stumbled on something bigger.
V5CWhat, exactly?
Nancy5CStay tuned to N54 News to find out!
5CYou gotta help me get out of here.
V5DHow'd you plan to get outta this before I showed up?
Nancy5DI'd've thought of something. Pretty good at improvising.
Johnny5DMighta tossed someone out a window again.
Nancy3BWell, what is it?
Dum Dum3BHey, why you just standin' there?
Nancy3BWell?
1AYes, but an overly sudden shift in tone would--
Royce1AAgain, with your fuckin' opinion.
1AFuzz, grit, distortion – that's what it's about.
1AFeel it rumble in your gut, pulse in your teeth.
1AIt's music you chew up and shit out.
V1BPretty loud in here. You renovatin'?
Dum Dum1BHa. Ha. Good thing Royce can't hear you. Tinnitus – apple of his eye.
V1BRoyce, eye. Ha ha. You a fan of your little gang group, too?
Dum Dum1BWell... more a fan o' the classics, Samurai an' all that…
Johnny1BLike this guy already.
Dum Dum1BJust, not a word to Royce, hey?
V1CWhere'd you get your chompers done?
Dum Dum1CAw shit! Forgot you ain't seen these beauts yet.
1CY'know the "before," now ya see the "after." Whaddaya think?
7AWant the same – twinsies?
Dum Dum7ANah, you'd look gonk as fuck.
V7BIf I say the "before" was better, will ya take 'em off?
Dum Dum7BNah, I'd say you don't know shit.
V7BOther people like 'em?
Dum Dum7BI like 'em.
V1DOne more word about him and I stamp you out like a roach, got it?
Dum Dum1DGot it.
JohnnyFeels like I know this guy, why?
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